The Complete Guide to Painting Hands

Naomi Fisher
Introduction to Hand Anatomy
Hand Inspiration Old Masters & Modern Icons
Art Supplies What I Use (And Where to Spend or Save)
Hand Anatomy Bones & Structure
Drawing Our First Hand
Adding Muscles & Tendons
Blocking In the Fingers
Refining the Fingers
Proportion Checks & Plum Lines
Refining Anatomy Muscles & Tendons
Introduction to Colour Theory & Limited Palette
Preparing the Surface Using a Ground
Blocking In the Background
Old Master Colour Mixing Inspiration & Techniques
Mixing & Applying the Base Skin Tone
Developing the Base Values, Saturation & Neutrals
Planning the Shadows
Introducing Subtle Saturation
Adding Shadows & Reflected Light
Proportion Checks & Corrections
Chiaroscuro & Reflected Colour
Adding Daker Values
Adjusting the Background & Staying Flexible
Highlights & Finishing Touches
Sketching More Advanced Poses
Starting the Sketch Wrist Tendons & Anatomy
Refining the Sketch Plum Lines & Anatomy
Refining the Sketch
Finalising the Sketch
Starting a New Sketch Cuboid Construction
Continuing Cuboid Hand
Starting a Foreshortened Hand Sketch
Refining Foreshortening
Further Refining Foreshortening
Understanding Foreshortening Scale & Perspective
Preparing the Surface for Oils
Oil Painting Materials & Studio Safety
Charcoal Undersketch for Oil Painting
Refining the Undersketch & Proportions
Finalising the Undersketch
Mixing the Base Colour & Oil Painting Principles
Mapping Values & Building Wet-on-Wet Layers
Refining Values & Form
Using Colour & Saturation for Focus
Background, Colour Harmony & Texture Choices
Balancing Colour, Texture & Form Continued
Finalising the Painting

Module 2- Drawing Our First Hand

Hand Anatomy Bones & Structure
Drawing Our First Hand
Adding Muscles & Tendons
Blocking In the Fingers
Refining the Fingers
Proportion Checks & Plum Lines
Refining Anatomy Muscles & Tendons

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