The Foundations of Expressive Painting

Naomi Fisher
The Foundations of Expressive Painting
Materials And Tools
Simplify your Palette Why I Only Use Primaries
The Colour Wheel Mixing, Neutralising, and Creating Black
Mixing Neutral Colours Part 2
Introduction to Painting an Eye
Mixing and Blocking in Skin Tones
Adding Depth and Detail to the Eye
Finishing Touches Final details and Highlights
Undersketching the Nose Avoiding Common Anatomy Mistakes
Building the Base Layers of the Nose
Adding Detail and Depth to the Nose
Refining the Nose Adding Further Details
Final Touches Finishing the Nose
Undersketching the Mouth Anatomy and Structure
Laying the Foundation Painting Surrounding Skin Tones
Building Colour and Depth
Painting Teeth and Adding Depth to the Lips
Finishing Touches Lips and Teeth
Creating the Undersketch Constructing a Portrait
Understanding the Skull and Placing Features
Using Shadows and Features to Continue our Undersketch
Refining the Undersketch Head Shape and Eye Placement
Adding Detail Iris, Pupil, and Eyelids
Finalising the Undersketch Eyes and Alignment
Introduction to Painting the Face Inspiration vs. Imitation
Mixing Skin Tones The First Base Layer
Building Depth Neutral Background and Second Skin Layer
Adding Shadows Creating Dimension in the Face
Embracing Expression Loose Marks and the 'Ugly' Stage
Refining Loose Marks and Enhancing Shadows
Values and Bright Underpainting
Refining Highlights and Shadows
Detailing the Eyelids and Enhancing the Nose
Adding Highlights and Beginning the Hair
Refining the Jawline and Chin
Painting Blonde Hair Techniques and Tips
Continuing the Hair Lowlights and Highlights
Painting the Eye Values and Emotional Depth
Refining the Eyes Mastering Mid-Tones
Painting the Base Colour of the Lips
Refining the Details Bringing It Together
Final Adjustments Shaping the Forehead
Final Touches Texture and Highlights
Why Stretch Your Own Canvas
How to Stretch a Canvas Step-by-Step
Preparing Your Canvas Applying Gesso
Preparing for the Figure Painting Reference and Composition
Building the Undersketch From Bones to Form
Defining the Form Legs and Arms
Refining the Figure Using Negative Space for Proportions
Sketching the Ribcage and Breasts
Title Refining the Figure and Drawing Hands
Refining the Torso and Drawing Legs and Feet
Completing the Undersketch of the Feet
Continuing the Undersketch and Exploring Basic Facial Anatomy
Introduction to Oil Painting and Studio Safety
Painting the Background
Painting the Base Layer of the Figure
Adding the First Shadows
Adding Reflected Light and Beginning the Hair
Creating Drips with Thinner
Adding Pink Reflected Light
Enhancing Depth with Subtle Shadows
Correcting Proportional Errors
Building Hair Layers and Painting the Ear
Finishing the Ear
Adding Highlights and Refining Details
Starting to paint the Face
Finalising the Figure
Starting a Charcoal Portrait Foundations and Anatomy
Refining the Skull and Starting Facial Features
Using Negative Space to Place Features
Adding Emotion to Portraits and Drawing the Ear
Placing the Eyes Alignment and Direction
Using Charcoal Powder for Expressive Marks
Applying a Full Range of Values
Drawing the Mouth and Adding Bold Lines
Enhancing Contrast Adding Dark and Light Values
Final Touches Darkest Darks and Brightest Lights

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